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Voice Reference
A comprehensive vocal direction lexicon compiled from professional acting glossaries and voice-over direction databases, combined with empirical findings from Qwen3-TTS VoiceDesign testing.
Hundreds of industry-standard terms for fine-tuning vocal performance, organized by function.
The physical sound or "grain" of the voice. Use these in description for VoiceDesign.
| Category | Descriptors |
|---|---|
| Rough/Gritty | Gravelly, Raspy, Husky, Scratchy, Smoky, Guttural, Coarse, Croaking, Grating, Dry, Cracked, Fractured, Sandpaper, Whiskey-soaked, Growling, Gruff, Hoarse, Ragged, Raw, Rusty, Strained, Throaty |
| Smooth/Rich | Silky, Velvety, Honeyed, Creamy, Liquid, Orotund, Dulcet, Mellifluous, Polished, Lush, Mellow, Buttery, Soothing, Fluid, Flowing, Seamless, Satiny, Suave, Unctuous |
| Resonance | Booming, Chesty, Full-bodied, Deep, Sonorous, Thundering, Rumbling, Hollow, Echoing, Cavernous, Round, Heavy, Grounded, Bassy, Resonant, Bell-like |
| Light/High | Airy, Breathy, Feathery, Thin, Reedy, Tinny, Piercing, Shrill, Piping, Wispy, Fluting, Chirpy, Squeaky, Falsetto, Head-voice, Boyish, Girlish, Metallic, Brittle |
| Nasal/Sharp | Nasal, Twangy, Whiny, Pinched, Brass, Strident, Cutting, Piercing, Biting, Sharp, Acidic, Astringent, Clamorous, Ear-splitting, Harsh, Jarring, Penetrating, Stingy |
| Vocal Defects | Fry (Vocal Fry), Sibilant (whistling 'S'), Plosive (popping 'P'), Tremulous (shaking), Wobbling, Quavering, Warbling, Slurred, Mumbled, Incoherent, Thick |
Adjectives to dial in psychological state. Use these in instruct, not description.
| Category | Descriptors |
|---|---|
| Aggressive/Hostile | Acerbic, Antagonistic, Belligerent, Biting, Brusque, Caustic, Combative, Confrontational, Contemptuous, Cutting, Derisive, Dictatorial, Disdainful, Dogmatic, Domineering, Explosive, Fierce, Hard, Imperious, Incendiary, Indignant, Intimidating, Malevolent, Militant, Pugnacious, Savage, Scornful, Seething, Sharp, Spiteful, Stern, Threatening, Truculent, Vengeful, Venomous, Vitriolic, Warlike |
| Sad/Depressed | Bereft, Bleak, Broken, Crestfallen, Dejected, Desolate, Despondent, Disheartened, Dismal, Doleful, Dour, Forlorn, Gloomy, Grief-stricken, Heartbroken, Heavy-hearted, Hollow, Hopeless, Lachrymose, Melancholy, Miserable, Morose, Mournful, Pathetic, Pessimistic, Plaintive, Regretful, Remorseful, Resigned, Somber, Sorrowful, Tearful, Tragic, Weepy, Wistful, Woe-begone |
| Happy/Positive | Blissful, Buoyant, Celebratory, Cheerful, Chipper, Contented, Delightful, Ebullient, Ecstatic, Elated, Encouraging, Energetic, Enthusiastic, Euphoric, Exhilarated, Exuberant, Festive, Genial, Giddy, Gleeful, Gratified, Hearty, Hopeful, Jaunty, Jolly, Jovial, Joyous, Jubilant, Lighthearted, Merry, Optimistic, Overjoyed, Peppy, Radiant, Rapturous, Reassured, Sunny, Upbeat, Vibrant, Vivacious, Zestful |
| Fearful/Anxious | Agitated, Alarmed, Apprehensive, Cautious, Concerned, Cowardly, Distressed, Edgy, Faint, Frightened, Guarded, Hesitant, Hysterical, Insecure, Jittery, Nervous, Panic-stricken, Paralyzed, Paranoid, Petrified, Quaking, Restless, Scared, Shaky, Skittish, Spooked, Startled, Tense, Terrified, Timid, Trembling, Uneasy, Unsettled, Wary, Worried |
| Calm/Neutral | Ambivalent, Apathetic, Balanced, Bland, Blasé, Bored, Casual, Collected, Composed, Cool, Detached, Dispassionate, Dull, Easygoing, Equable, Even-tempered, Flat, Imperturbable, Indifferent, Laid-back, Listless, Matter-of-fact, Measured, Mediocre, Mild, Moderate, Monotone, Nonchalant, Objective, Pacifistic, Passive, Peaceful, Phlegmatic, Placid, Relaxed, Serene, Steady, Stoic, Tranquil, Unemotional, Unflappable |
| Affectionate/Intimate | Adoring, Amorous, Caring, Cherishing, Comforting, Compassionate, Coquettish, Cuddly, Doting, Endearing, Fond, Gentle, Intimate, Loving, Maternal, Nurturing, Paternal, Protective, Romantic, Seductive, Sensual, Soft, Sultry, Sweet, Sympathetic, Tender, Touching, Warm, Yearning |
| Intellectual/Superior | Analytical, Arrogant, Authoritative, Condescending, Critical, Cynical, Didactic, Dignified, Dry, Educated, Erudite, Haughty, Informative, Inquisitive, Instructional, Knowledgeable, Lofty, Logical, Patronizing, Pedantic, Philosophical, Pompous, Practical, Pragmatic, Precise, Pretentious, Professional, Rational, Sagacious, Sarcastic, Sardonic, Satirical, Scholarly, Skeptical, Smart, Snobbish, Sophisticated, Supercilious, Superior, Thoughtful, Wise, Wry |
| Playful/Quirky | Bantering, Cheeky, Childish, Clownish, Droll, Eccentric, Facetious, Fanciful, Flippant, Flirty, Foolish, Goofy, Humorous, Impish, Ironic, Irreverent, Jocular, Kooky, Mischievous, Mocking, Offbeat, Playful, Prankish, Quirky, Rascally, Ridiculous, Sassy, Saucy, Silly, Snarky, Teasing, Tongue-in-cheek, Whimsical, Witty, Zany |
Speed, flow, and clarity controls. Use these in instruct, not description.
| Style | Description |
|---|---|
| Staccato | Short, detached, punchy, clipped, abrupt, machine-gun style |
| Legato | Smooth, connected, flowing, gliding, continuous, elongated vowels |
| Rapid-fire | Blistering speed, urgent, manic, auctioneer-style, frantic, breathless |
| Measured | Deliberate, slow, thoughtful, spacing out every word, ponderous |
| Halting | Uncertain, pausing frequently, stammering, disjointed, stumbling |
| Lilting | Rhythmic rise and fall, musical, singsong, melodic, bouncing |
| Drawl | Lazily extended vowels, slow, relaxed, languid, stretching words |
| Punchy | High energy emphasis on key words, dynamic, hitting the consonants hard |
| Deadpan | Zero inflection, flat pitch, dry comedy, poker-faced delivery |
| Cadenced | Highly rhythmic, almost poetic or Shakespearean, metered |
Shorthand used in casting breakdowns and commercial scripts.
| Archetype | Description |
|---|---|
| Authentic | Real person, non-actor, documentary style, raw, unpolished |
| Announcer (Classic) | "Voice of God" (VOG), presentational, booming, polished, radio DJ |
| Announcer (Non-Announcery) | Anti-sell, conversational, throwing it away, indifferent |
| Conversational | Just talking to a friend, informal, slurred edges, natural breaths |
| Girl/Guy Next Door | Relatable, friendly, middle-class, trustworthy, average, safe |
| Trusted Advisor | Doctor, lawyer, parent, financial planner, knowledgeable, calm |
| Cool Parent | Modern, hip, not strict, understanding, "Disney Mom/Dad" |
| The Millennial/Gen Z | Vocal fry, uptalk, casual, cynical, tech-savvy, fast, ironic |
| Promo Voice | Gritty, deep, growly, intense, whispering, high-drama, movie trailer |
| Corporate/Industrial | Clear, articulate, professional, neutral, informative, confident |
| Hard Sell | High volume, high energy, urgent, shouting, "Car Dealer," aggressive |
| Soft Sell | Intimate, whispery, luxury, expensive, comforting, seductive |
| Characters | Villain, Hero, Sidekick, Creature, Monster, Robot, Alien, Witch, Old Crone, Sage |
Instructions for the recording process.
| Command | Meaning |
|---|---|
| A-B-C (Three-in-a-row) | Read the same line three times with three different attitudes |
| Billboard | Emphasize a specific name or product ("Hit the brand name harder") |
| Button | A clean, definitive end to the sentence/take; sticking the landing |
| Clean Up | Re-doing a line to fix a mouth noise or stumble |
| Cold Read | Reading the script immediately without rehearsal |
| Color | Add more emotion or personality to a specific word |
| Compression | Reduce dynamic range (louder in quiet parts, softer in loud parts) |
| Donut | Voice at beginning and end, hole in the middle for music/clips |
| Eat the Mic | Very close to microphone for proximity effect (deep/intimate bass) |
| Guide Track | Matching timing of a pre-recorded audio/video reference |
| Lay Out | Pause or stop speaking for a section |
| Lead-in | A sentence said silently to get into character before the first line |
| Level | Reading at performance volume to set microphone gain |
| Lift | Brighten or raise pitch slightly, often at end of a spot |
| Pick-up | Recording just one specific sentence or phrase |
| Popping | Excessive air on "P"/"B" sounds (fix: "Turn slightly off-axis") |
| Projection | Throwing the voice to the back of the room vs. keeping it internal |
| Punch-in | Recording a small snippet to insert into an existing take |
| Safety | One last take in case the previous good one had a technical glitch |
| Slate | Stating name and take number before performing ("John Doe, Take 1") |
| Smile | Physically smile while reading (changes tone to brighter/warmer) |
| Sotto Voce | A stage whisper; speaking under one's breath |
| Throw Away | De-emphasize a line; make it sound unimportant or casual |
| Time | Speeding up or slowing down to hit a strict duration (e.g. exactly 29.5s) |
| Wild Line | A line recorded separately from script flow (shouts, laughs, grunts) |
| Walla | Background crowd noise/murmuring performed by a group |
150+ additional professional terms across five key areas.
| Dimension | Terms |
|---|---|
| Presence | Close-mic, Distant, Intimate, Expansive, Internalized, Projection |
| Texture | Silky, Velvety, Honeyed, Mellifluous, Buttery, Creamy, Lush, Liquid, Orotund, Resonant |
| Grit | Gravelly, Raspy, Smoky, Husky, Guttural, Scratchy, Coarse, Croaking, Grating, Dry, Cracked, Sandpaper, Whiskey-soaked, Growling, Gruff, Hoarse, Ragged, Raw, Rusty, Strained, Throaty |
| Brightness/Weight | Airy, Breathy, Feathery, Thin, Reedy, Tinny, Piercing, Shrill, Piping, Wispy, Fluting, Chirpy, Squeaky, Metallic, Brittle |
| Temperature | Warm, Sunny, Nurturing, Genial, Toast-like, Cool, Detached, Clinical, Crisp, Distant, Icy, Steel |
| Category | Terms |
|---|---|
| High Energy/Positive | Jubilant, Exuberant, Ebullient, Cheerful, Playful, Whimsical, Contented, Blissful, Optimistic, Encouraging, Radiant, Rapturous, Peppy, Jaunty, Jolly, Jovial |
| High Energy/Negative | Indignant, Seething, Acerbic, Strident, Sharp, Biting, Vitriolic, Threatening, Savage, Belligerent, Antagonistic, Caustic, Combative, Confrontational, Contemptuous, Derisive |
| Low Energy/Negative | Melancholy, Despondent, Wistful, Morose, Tearful, Heavy-hearted, Hollow, Defeated, Grief-stricken, Bereft, Bleak, Broken, Crestfallen, Dejected, Desolate, Disheartened, Dismal, Doleful, Dour, Forlorn |
| Vulnerability | Jittery, Tremulous, Quavering, Shaky, Hysterical, Panic-stricken, Hesitant, Guarded, Tense, Agitated, Alarmed, Apprehensive, Faint, Frightened, Skittish, Uneasy |
| Authority/Power | Commanding, Imperious, Dictatorial, Regal, Stately, Assertive, Dogmatic, Unyielding, Matter-of-fact, Dignified, Pompous, Supercilious, Sagacious |
| Irony/Wit | Sarcastic, Ironic, Wry, Cynical, Sardonic, Satirical, Facetious, Flippant, Sassy, Saucy, Cheeky, Bantering, Droll |
| Aspect | Terms |
|---|---|
| Range | Bass-heavy, Mid-range, High-frequency, Falsetto, Head-voice, Chest-voice |
| Movement | Uptalk (rising pitch, uncertainty), Down-talk (dropping pitch, finality/authority), Singsong (nursery-rhyme rise and fall), Flat/Monotone (zero variation), Modulated (controlled varied pitch) |
| Register | Vocal Fry (creaky), Nasal, Twangy, Resonance, Vibrato, Tremolo |
| Aspect | Terms |
|---|---|
| Tempo | Staccato (clipped), Legato (flowing), Rapid-fire, Measured, Deliberate, Halting, Drawling, Languid, Ponderous |
| Articulation | Crisp, Glassy, Over-enunciated, Slurred, Lazy, Mumbled, Thick, Sibilant (hissing 'S'), Plosive (popping 'P'/'B') |
| Emphasis | Billboard (punching a key word), Throwaway (de-emphasizing), Punchy (high-energy consonants) |
| Rhythm | Cadenced, Syncopated, Naturalistic, Flowing, Breathless, Erratic |
| Category | Archetypes |
|---|---|
| Commercial | Hard-sell, Soft-sell, Everyman/Everywoman, Girl/Boy Next Door, Hip/Gen-Z, Millennial, Sophisticated/Luxury |
| Narrative | The Trusted Advisor, The Sage/Professor, The Villain/Antagonist, The Sidekick, The Reluctant Hero |
| Technical/Industry | "Announcery" (classic radio), "Voice of God" (deep/booming/omniscient), "Corporate/Industrial" (polished/professional), "Sotto Voce" (stage whisper), "Walla" (background crowd noise) |
Standard register terminology used in the "Lead with register" rule (#1 in Working Rules below). These classifications define the pitch range and tonal character of a voice.
| Voice Type | Gender | Range (Approx.) | Description |
|---|---|---|---|
| Soprano | Female | C4 -- C6 | The highest female voice, known for a bright and soaring quality. |
| Mezzo-Soprano | Female | A3 -- A5 | The middle-range female voice, with a darker and richer tone than a soprano. |
| Contralto | Female | F3 -- F5 | The lowest female voice. Very rare, with a deep, powerful resonance. |
| Countertenor | Male | E3 -- E5 | The highest male voice, often singing in a range similar to a contralto or mezzo-soprano using falsetto. |
| Tenor | Male | C3 -- C5 | The highest "natural" male voice type, frequently assigned heroic or lead roles in opera. |
| Baritone | Male | A2 -- A4 | The most common male voice type, sitting between tenor and bass with a warm, versatile tone. |
| Bass | Male | E2 -- E4 | The lowest male voice, providing a deep, heavy foundation for vocal ensembles. |
| Voice Type | Description |
|---|---|
| Alto | In choral music, "alto" refers to the lower female part (SATB), usually sung by mezzo-sopranos or contraltos. |
| Bass-Baritone | A male voice that combines the low resonance of a bass with the higher range of a baritone. |
| Treble | The high, unchanged voices of children (both boys and girls). |
| Sopranista | A rare male singer who can sing in the soprano range without using falsetto. |
Empirical results from testing how the VoiceDesign model interprets voice description prompts. Maps the professional lexicon above to actual model behavior.
- All tests use the same 4 neutral sentences across all voices
-
instructfield left empty to isolate voice description effects -
seed: -1(random) to test natural consistency - Evaluated on: voice consistency across lines, adherence to description, quality
Tested 5 fundamentally different description approaches (M/F each, 40 samples total).
| Strategy | Approach | Example |
|---|---|---|
| Anatomy | Physical/acoustic traits | "A deep male baritone with resonant chest voice, smooth timbre, slight vocal fry" |
| Persona | Character identity | "A kind elderly grandfather who speaks with patience and gentle authority" |
| Technical | Audio engineering terms | "A well-projected male voice with crisp diction, moderate pace, controlled dynamic range" |
| Emotion | Emotional qualities only | "A calm, reassuring male voice that sounds confident, trustworthy, and steady" |
| Context | Scene/situation | "A male narrator reading a fantasy novel aloud in a quiet bookshop" |
| Strategy | Consistency | Key Observation |
|---|---|---|
| Anatomy | Best (M), Poor (F) | Physical descriptions give the model concrete acoustic targets. Female "light soprano, airy" pushed too high/thin. |
| Persona | Variable | Works when archetype strongly implies a vocal type (young journalist -> fast squeaky). Fails when ambiguous (grandfather -> gender switching). |
| Technical | Low-Medium | Model partially understands audio engineering terms but not reliably. |
| Emotion | Low | Too abstract. No physical anchor for what "calm" or "warm" sounds like. |
| Context | None | Different voice every line. Model treats description as scene direction, not voice identity. |
Anatomy-first descriptions win. The model needs concrete acoustic targets (pitch, register, timbre, texture) to produce consistent voices. Abstract qualities (emotion, persona, context) give too much interpretive freedom.
All descriptions reformulated: register + timbre + tonal adjectives. No delivery/performance words (those belong in instruct).
[register] + [timbre/texture descriptors] + [tonal character adjectives]
Never include: delivery verbs (speaking, reading), pacing words, scene/context
| Voice | Description | Consistency | Quality | Notes |
|---|---|---|---|---|
| WARM_BARITONE | "deep male baritone, rich chest resonance, warm smooth timbre, hint of gravelly texture" | Med-High | High | Voice as described, very good deep quality, some variation |
| GROUNDED_ALTO | "female alto, full grounded mid-range, slightly husky, natural warmth" | Med-High | High | Follows description well, less variable than baritone |
| BRIGHT_TENOR | "male tenor, bright clear tone, light nasal resonance, youthful energy" | Very Low | High | Wild emotional delivery, "unhinged" quality — see Bright Tenor Investigation |
| SILKY_MEZZO | "female mezzo-soprano, silky even tone, soft rounded edges, gentle clarity" | Very High | Very High | Best overall. Extremely easy to listen to. |
| COMMANDING_BASS | "male bass, dark authoritative rumble, heavy low-end, firm tone" | High | High | Cowboy/western gruff quality. A keeper. |
| CRISP_SOPRANO | "female soprano, precise crystalline tone, balanced brightness, confident projection" | Very High | High | More tonal range but still consistent. Studio-quality feel. |
High consistency — terms the model locks onto reliably:
- Smoothness/evenness:
silky,even,soft,rounded(from Smooth/Rich) - Precision:
precise,crystalline,balanced(implies control) - Authority/firmness:
dark,authoritative,firm,commanding(from Resonance) - Grounding:
grounded,full,husky(from Rough/Gritty + Resonance)
High variability — terms that destabilize:
- Energy:
bright,youthful energy(from Brightness/Weight — see investigation below) - Ambiguous warmth alone:
warm,deepwithout anchoring texture
Observation: Female voices trend more consistent than male across all descriptions.
Isolated the cause of BRIGHT_TENOR instability through systematic ablation (8 variants, 32 samples).
| Variant | Description | What Changed |
|---|---|---|
| CONTROL | "male tenor, bright clear tone, light nasal resonance, youthful energy" | Original — baseline |
| NO_BRIGHT | "male tenor, clear tone, light nasal resonance, youthful energy" | Removed "bright" |
| NO_ENERGY | "male tenor, bright clear tone, light nasal resonance" | Removed "youthful energy" |
| NEITHER | "male tenor, clear tone, light nasal resonance" | Removed both |
| BRIGHT_ONLY | "A bright male tenor voice" | Minimal — just "bright" |
| SHARP_REPLACE | "male tenor, sharp forward-placed tone, light nasal resonance, crisp articulation" | Replaced "bright" with "sharp" |
| HIGH_HARMONICS | "male tenor, strong upper harmonics, clear forward projection, light nasal resonance" | Technical acoustic equivalent |
| STABILIZED | "male tenor, steady clean tone, light nasal resonance, even delivery" | Applied consistency formula |
| Variant | Consistency | Character | Finding |
|---|---|---|---|
| CONTROL | Very Low | Unhinged, wild emotional swings | Confirms R2 behavior |
| NO_BRIGHT | Medium | Expressive but text-guided, less unhinged | "Bright" contributes emotional volatility |
| NO_ENERGY | Medium | Similar to NO_BRIGHT, one auctioneer pacing spike on dramatic text | "Energy" contributes pacing bursts |
| NEITHER | High | Follows text cues, stable | Bare tenor base is inherently stable |
| BRIGHT_ONLY | High | Stable, text-responsive | "Bright" alone is fine |
| SHARP_REPLACE | High | Annoyed/irritable quality | "Sharp/forward-placed" maps to irritated tone |
| HIGH_HARMONICS | Medium | Raised voice, near-shouting, very clear | Useful niche: alertness/wake-up effect |
| STABILIZED | High | Narrator-like, low emotion | Consistency formula works but flattens expression |
"Bright" and "youthful energy" are each stable alone but interact destructively. The combination gives the model contradictory signals — tonal brightness (acoustic) + behavioral energy (performance) — and it flails between interpretations on every generation.
This is likely a general principle: mixing acoustic descriptors (Section I) with behavioral/energy descriptors (Section III) in the voice description creates ambiguity. Keep voice descriptions purely in Section I territory; use instruct for Section II-IV qualities.
| Term | Section | Model Interpretation | Usefulness |
|---|---|---|---|
bright (alone) |
I. Brightness/Weight | Stable tonal brightness | Good in isolation |
bright + energy terms |
I + III | Emotional chaos | Avoid combination |
sharp |
I. Nasal/Sharp | Annoyed/irritable tone | Use carefully |
upper harmonics |
I. (technical) | Raised volume, near-shout | Niche: alertness effect |
steady, even
|
I. Smooth/Rich | Narrator-like stability | Flattens expression |
silky, rounded
|
I. Smooth/Rich | High consistency + listenability | Best for narration |
dark, authoritative
|
I. Resonance | Gruff/western quality, consistent | Good for male authority |
crystalline, precise
|
I. Smooth/Rich | Consistent with expressive range | Best balance |
hollow (in instruct) |
I. Resonance | Whisper/sigh hybrid, breathy emptiness | Avoid in instruct — model reads it as acoustic, not emotional. Use "defeated" instead. |
- Lead with register (bass, baritone, tenor, alto, mezzo-soprano, soprano)
- Add 2-3 texture/timbre terms from Section I only
- Never mix acoustic (Section I) and behavioral (Section II-IV) descriptors in the description field
-
Use
instructfor delivery, emotion, and pacing — that's what it's for -
Prefer "control" terms (
silky,even,precise,firm) over "energy" terms (bright,sharp,piercing) for consistency - Over-specifying with ambiguous terms compounds uncertainty — minimal clear descriptions can outperform detailed ambiguous ones
- Female voices are inherently more consistent in this model across all description styles