v0.4.0 — the buildings start telling the truth
The buildings start telling the truth, and the elephant comes back.
Fixed — the geometry
The prose in this city had been through two rounds of expert review. The
geometry had been through none. A geometry-truth audit — four PostgreSQL
specialists auditing buildings, adjacencies, animations and scale as claims
rather than reading the text beside them — found the city contradicting its own
documentation in places where a reader would believe the building.
- The xmin horizon blade floated above every active backend. It was computed
independently of the PGPROC pillars it cuts through, so fourteen backends
could all sit below the "oldest transaction ID anyone can still see" plane —
arithmetically impossible, and an inversion of the single lesson that
structure exists to teach. - The OS page cache was drawn inside the excavation, below a line the city's
own signage says separates memory from durable storage. It is volatile kernel
memory outside PostgreSQL's address space.pg_walbroke the same line in the
other direction — printed on the pit floor as a data-directory subdirectory
while built as a surface vault outside the cut. archive_commandwas built twice, with archived WAL parked in two stores
in series, teaching a two-stage archive pipeline PostgreSQL does not have.- TOAST sliced before it compressed. PostgreSQL compresses first and slices
only what still does not fit. - Index maintenance flew from the index into the heap, and the
buffer-mapping probe ran backwards. - The LSN ruler displayed an equation its own rows failed to satisfy — the
lag bar spanned standby-flush→replay while the byte count beside it was
computed from primary-flush→replay. - Cumulative statistics was a rolling sixty-bar time series. PostgreSQL
keeps monotonic counters and no history whatsoever.
Fixed — the plate
- The Slonik plate is the real mark again. v0.3.0 built the outline from the
blue fill path of the genuine PostgreSQL SVG. The commit that followed it —
titled "trace the plate from the real PostgreSQL logo artwork" — replaced that
vector data with hand-authored control points, which is the opposite of what
its message claims. Four later passes then edited the hand drawing, each
widening it slightly to satisfy the containment audit, until the trunk was 3%
of the plate's height and the silhouette was a rounded blob. The vector data
is restored: front-on head, both ears, both tusks, trunk down the centreline.
Added
- Sound. The audio engine had existed for some time as 505 lines that
nothing imported. It is now driven from the walk controller, so footstep
cadence comes from distance travelled and surfaces are read from what the
collision layer says is underfoot. Off by default. - Swimming in the buffer pool (
shared_buffers). The plaza is 1,024 page
frames whose height is their clock-sweepusage_countand whose colour is
their state. You can now be inside it, at the scale of the pages. - Walking and swimming on a phone. Pointer lock does not exist on iOS
Safari, so first person was unreachable on mobile. There are now thumb
controls: a stick that appears where the thumb lands, and look-by-drag with
sensitivity in degrees per centimetre so it feels the same on any screen. tools/plot-plate.mjs— prints the plate's silhouette, bounding box and
trunk proportion straight from the source in about two seconds. Five attempts
at the shape had been judged through a seventy-second software render with the
side panels covering two thirds of the frame, which is why none of them could
iterate.- The page-anatomy and data-directory views now open from where their question
arises, rather than from a tab strip pinned to a corner.
Changed
- The panel design drops the coloured accent bars, and then the corner brackets
that briefly replaced them. Both are generated-interface clichés; the fix was
to subtract rather than to substitute.
Known issues
- Cache hit ratio settles near 87% where a healthy production system sits at
98–99%. - The plate's containment audit still constrains the silhouette; the shape holds
the city, and the city was not laid out to be an elephant. - iOS Safari differs from Chrome's mobile emulation in touch handling and
viewport units. The touch controls have not been tested on a real device.