v7.0.0 -- the war chest

Full Changelog: v6.0.0...v7.0.0

7.0.0 — 2026-10-17 — the war chest

• The War Chest. Whole-rig
  mission profiles: one chest
  captures the standing
  configuration of Send, Serve,
  Recon and the trace — every
  setting, including stealth —
  and applies it in one tap.
  Applying a chest dresses the
  rig; it starts nothing. The
  old presets migrate once,
  untouched, and chests share
  as JSON.
• The Helm. Named remotes
  for your own gear: big buttons
  that fire the payload book
  through the Send path — TCP,
  UDP, HTTP, or another phone —
  built from the book, the Send
  composer, or Learn mode, which
  binds what your gear sends you
  into a button. Beside it in
  EMCON, the tag census: your
  own NFC cards and tags read
  whole — NDEF, the chip's own
  identity, and an APDU explorer
  for ISO 7816. Nothing is
  written; nothing is emulated.
• The War Room. Listen, the
  trace and the knock bench run
  as one operation on one named
  /24, feeding one timestamped
  timeline — sightings, hosts,
  doors, banner changes, knock
  verdicts — and one export
  carries the whole record, the
  trace's own export embedded
  whole.
• The SIGINT Station.
  Everything the phone can hear,
  fused into one emitter
  registry: BLE hearing, the LAN
  census, Night-log activity.
  Records merge only within an
  epoch — no cross-epoch
  stitching, ever. Watches
  record a named span and file
  themselves with their delta:
  what arrived, what went
  silent, what changed. The
  station's limits are stated
  in its own interface and in
  every export it writes.
• War Games. Two of your
  phones spar: one defends —
  Serve up, decoys flying — the
  other attacks, trace and
  knock. The match protocol
  rides the Serve inbox itself:
  challenge, ready, start,
  armed, done, cards. The
  scoring diffs found against
  missed against caught against
  decoys, and writes the match
  report.
• The Banshee. EMCON's
  opposite pole, one switch in
  the posture tab: Serve listed
  with stealth off, the BLE
  beacon shouting BANSHEE,
  Net-Assault armed, and a
  named broadcast heartbeat
  across the subnet — this
  device announcing itself at
  full voice until you cease
  it. Ceasing restores the
  exact posture the scream
  found. It announces only
  itself; it touches no one
  else's traffic.
• The exposure score,
  honestly based. EMCON's
  number now starts from
  presence: a phone joined to a
  wire, answering under its own
  name, was never a ghost.
  Being on the wire, and the
  name it answers to, are
  weighed first — then the live
  emissions. The itemised parts
  under the score say which is
  which.
• Spoofy — the costume
  rack. EMCON's third door
  dresses this device in its
  own names: costume presets
  and a dice roller for the
  beacon and GATT host's name,
  and mimicry personas that
  dress the whole device as a
  class of thing — office
  printer, smart TV, speaker,
  NAS, thermostat, robot
  vacuum — air name, greeting,
  and Serve's listeners and
  replies all in character at
  once. The rack also dresses
  the phone as the network's
  own gear — an access point,
  a gateway, a mesh node, a
  media server, a hub — the
  listed shapes standing
  announced, stealth dressed
  off and restored with the
  rest. An app cannot
  broadcast an SSID, so the
  access point is a service
  presence in character,
  never a fake radio.
  Dropping a shape
  restores the wardrobe it
  found, whole. The rack is
  the operator's own, too:
  costumes he types are kept,
  a workshop builds whole
  personas from the same
  cloth, dropping a shape
  restores the exact payloads
  the air was carrying, and
  the revolving rack rotates
  the air name through every
  costume on an interval.
  Donning refuses while the
  Banshee screams — its
  snapshot owns the posture.
  Generic shapes
  only: the device's own
  addresses stay its own,
  nothing copies a real
  device's identity, and there
  are no fake trackers in the
  rack.
• Skelli, wired to the
  war. She works the same
  shared engines the tabs do —
  the Banshee, Net-Assault,
  and her own War Room run are
  single instances now, so
  what she starts is what you
  see. Her war hands apply War
  Chests, fire Helm buttons by
  name, start and file SIGINT
  watches and read their
  deltas, run the War Room,
  challenge and score War
  Games, raise and cease the
  Banshee, and work the Spoofy
  rack; her manual covers
  every new room, and her
  sitrep reads the whole house
  — the registry, the watches,
  the worn shape, the match.
  A War Games round now runs
  by voice whole — challenge,
  begin the attack, set the
  defense, score — and she
  packs chests, turns the
  revolving rack, and works
  the operator's own costumes
  and shapes beside the
  built-ins.
• The dynamics pass. Five
  passes over how the organs
  move together. Layered
  snapshots warn instead of
  clobbering: a shape dropped
  over a changed dress says
  so, and a chest applied
  under a shape carries the
  warning up front. Skelli
  wakes the SIGINT station
  rather than read a sleeping
  registry as empty, and a
  watch with the ear down
  says what it cannot hear.
  Persona switches turn in
  one motion, the wardrobe
  inherited, the wire seeing
  a single restart. A War
  Room run refuses a busy
  trace. And her war rooms
  stand ahead of the weights
  bench in her gate, so a
  room's name is never
  mistaken for a model.