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OrlandoM edited this page Aug 5, 2026
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Welcome to the animation-application wiki!
- Getting started
- Documents and projects
- Tools and strokes
- Brushes
- Colour
- Layers, selections and guides
- The timeline
- Onion skin, references and the camera
- Symbols
- Saving and recovery
- Exporting to a game engine
- AI assistance
- Keyboard, performance and what is planned
- Bones and rigging
- Effects — fire, smoke and water
- A simplified 3D space to draw in: planes, parallax first, orbit second
- Brush performance beyond 4k: what the GPU can and cannot buy us
- The add-on boundary
- Making the AI trustworthy
- What an AI request actually costs
- Bones and spline deformers for 2D — design
- Brush tips — a generated library, not a live calculation
- Cloud and SaaS: what the architecture already fits, and what it does not
- Colour mixing — paint that picks up what it is laid on
- DESIGN: Effects
- DESIGN: Fluid effects — fire, smoke and water as drawn line and fill
- Fluid and viscous media — notes for the next brush-engine pass
- Compositing on the GPU
- Decomposing the two big files: which pieces come out, and with which tool
- One memory limit for pictures
- .NET 10: what is safe, what is unverified, and what it narrows
- One picture cache: the paused canvas on tiles
- The paint path: one mark, made once, under the pen
- Pen dynamics: tilt and speed
- A pencil is graphite on the paper's tooth
- Performance: the ratchet and the map
- Playback's first loop
- Pressure curves — a shape, not an exponent
- Importing Procreate brushes
- A project as a game's asset set
- One hierarchy: folders scope everything
- Puppet pins — design and plan
- The raster checkpoint: making a painting cheap to reopen
- Scoped resources — palettes, references and everything else shared
- Sensitive topics, and the three-track flow
- Design: pose-assisted frame-by-frame animation (rigid bones + AI gap filling)
- Stroke groups: why a merge should never turn strokes into pixels
- The project window: what you do between drawings
- Reading the subject before drawing on it
- The ceiling of a swept soft mark (B349)
- Q171 — a symbol owns a layer stack
- Pillar 3 — reusable assets, as live symbols
- What a template is
- Text, and where fonts sit
- The tiled compositor, and getting it off the CPU
- Design tokens
- Transform tool design (M14)
- Why a brush stamps twice, and when it does not
- Migrating to the designed UI
- Undo stores only what changed
- Vector tooling: making the lines you already drew editable
- The smudge/blur family, and aligning brush settings with Photoshop
Generated from the repository. Edit the files under docs/, not these pages.