Release v5.3.1 · shells-dw/streamdeck-totalmix

[5.3.1] - 2026-09-09

Save snapshot, with an optional guard: lit while there is something to save, second press to confirm.
Load guard on snapshot keys: a mark and a second press while the loaded snapshot has unsaved changes.
Clear all solos, Clear all mutes — lit while anything is set.
Pan followers — channels whose pans follow a pan dial, mirrored or linked.
Clip counter on the clip latch: CLIP ×3.
Peak hold time as a setting on Volume strips and the level view, default TotalMix's 2 s.
Dim and Recall keys show their amount.

Switching Send faders in linear scale while the plugin runs froze fader keys on stale values.
A TotalMix restart, or a settings change that reopens its socket, is now detected and the cache rebuilt.
A connection nobody uses any more (removed keys, changed ports) is closed instead of staying open.
A fade still running when its key was removed kept writing to TotalMix.
The second half of a linked split fader could keep the old channel until the next edit.
A key with an unknown stored parameter could stop rendering.
Neutral on the expander threshold and Auto Level headroom wrote 0 dB, outside their range.
Holding a key set to Mute did nothing on some targets the list offered it for.

Presses and gestures

Hold the key — a long press runs a second action of its own, including ramping up or down for as long as you hold.
Alt function — a dial press swaps to a second target on the same channel and back.
Link the halves of a split fader, so setting one sets the other.

Fader strips

Control room

Control room monitor (auto) on the submix picker, following the Speaker B switch.

Elsewhere

A title typed into Stream Deck's own field now replaces the key's caption instead of printing over it. Until TotalMix sends Snapshot names this works as workaround.

Input and playback faders could show no level after start until audio arrived.
Channel colours only appeared if another key happened to have loaded that channel first.
A dial could stop updating, or flip between the old and new target, after its target was changed.
The halves of a split fader could disagree, or write to each other in a loop.
Control-room keys could land on negative numbers when a slot was unassigned.
Balance dials could sit on "—" indefinitely.
Set to −∞ on an input gain key came back at the wrong level, and its value field offered the wrong range for the interface.
The expander threshold, attack and release used wrong limits.
The EQ curve coloured its bands differently from TotalMix.
Spread across several keys did nothing on the dynamics modes.
Unassigned Phones and Speaker B slots now say so instead of showing a working channel.
Channel lists now refresh properly after a rename.
Two checkboxes came up ticked when they should have been clear.
The dynamics displays repainted far more often than needed.

OSC is accepted only from the host you configured. Anything else is ignored, and the sender is logged.
Ports typed into the inspector are checked before use, and the caches are capped so a misbehaving sender can't grow them without limit.