Welcome to Open Shading Language!
Open Shading Language (OSL) is a small but rich language for programmable shading in advanced renderers and other applications, ideal for describing materials, lights, displacement, and pattern generation.
OSL was originally developed by Sony Pictures Imageworks for use in its in- house renderer used for feature film animation and visual effects, released as open source so it could be used by other visual effects and animation studios and rendering software vendors. Now it's the de facto standard shading language for VFX and animated features, used across the industry in many commercial and studio- proprietary renderers. Because of this, the work on OSL received an Academy Award for Technical Achievement in 2017.
OSL is robust and production-proven, and has been used in films as diverse as "The Amazing Spider-Man," "Hotel Transylvania," "Edge of Tomorrow", "Ant Man", "Finding Dory," and many more. OSL support is in most leading renderers used for high-end VFX and animation work. For a full list of films and products, see the filmography.
The OSL code is distributed under the "New/3-clause BSD" license, and the documentation under the Creative Commons Attribution 4.0 International License. In short, you are free to use OSL in your own applications, whether they are free or commercial, open or proprietary, as well as to modify the OSL code and documentation as you desire, provided that you retain the original copyright notices as described in the license.
How OSL is different
OSL has syntax similar to C, as well as other shading languages. However, it is specifically designed for advanced rendering algorithms and has features such as radiance closures, BSDFs, and deferred ray tracing as first-class concepts.
OSL has several unique characteristics not found in other shading languages (certainly not all together). Here are some things you will find are different in OSL compared to other languages:
Surface and volume shaders compute radiance closures, not final colors.
OSL's surface and volume shaders compute an explicit symbolic description, called a "closure", of the way a surface or volume scatters light, in units of radiance. These radiance closures may be evaluated in particular directions, sampled to find important directions, or saved for later evaluation and re-evaluation. This new approach is ideal for a physically-based renderer that supports ray tracing and global illumination.
In contrast, other shading languages usually compute just a surface color as visible from a particular direction. These old shaders are "black boxes" that a renderer can do little with but execute to find this one piece of information (for example, there is no effective way to discover from them which directions are important to sample). Furthermore, the physical units of lights and surfaces are often underspecified, making it very difficult to ensure that shaders are behaving in a physically correct manner.
Surface and volume shaders do not loop over lights or shoot rays.
There are no "light loops" or explicitly traced illumination rays in OSL surface shaders. Instead, surface shaders compute a radiance closure describing how the surface scatters light, and a part of the renderer called an "integrator" evaluates the closures for a particular set of light sources and determines in which directions rays should be traced. Effects that would ordinarily require explicit ray tracing, such as reflection and refraction, are simply part of the radiance closure and look like any other BSDF.
Advantages of this approach include that integration and sampling may be batched or re-ordered to increase ray coherence; a "ray budget" can be allocated to optimally sample the BSDF; the closures may be used by for bidirectional ray tracing or Metropolis light transport; and the closures may be rapidly re-evaluated with new lighting without having to re-run the shaders.
Surface and light shaders are the same thing.
OSL does not have a separate kind of shader for light sources. Lights are simply surfaces that are emissive, and all lights are area lights.
Transparency is just another kind of illumination.
You don't need to explicitly set transparency/opacity variables in the shader. Transparency is just another way for light to interact with a surface, and is included in the main radiance closure computed by a surface shader.
Renderer outputs (AOV's) may be specified using "light path expressions."
Sometimes it is desirable to output images containing individual lighting components such as specular, diffuse, reflection, individual lights, etc. In other languages, this is usually accomplished by adding a plethora of "output variables" to the shaders that collect these individual quantities.
OSL shaders need not be cluttered with any code or output variables to accomplish this. Instead, there is a regular-expression-based notation for describing which light paths should contribute to which outputs. This is all done on the renderer side (though supported by the OSL implementation). If you desire a new output, there is no need to modify the shaders at all; you only need to tell the renderer the new light path expression.
Shaders are organized into networks.
OSL shaders are not monolithic, but rather can be organized into networks of shaders (sometimes called a shader group, graph, or DAG), with named outputs of some nodes being connected to named inputs of other nodes within the network. These connections may be done dynamically at render time, and do not affect compilation of individual shader nodes. Furthermore, the individual nodes are evaluated lazily, only when their outputs are "pulled" from the later nodes that depend on them (shader writers may remain blissfully unaware of these details, and write shaders as if everything is evaluated normally).
Arbitrary derivatives without grids or extra shading points.
In OSL, you can take derivatives of any computed quantity in a shader, and use arbitrary quantities as texture coordinates and expect correct filtering. This does not require that shaded points be arranged in a rectangular grid, or have any particular connectivity, or that any "extra points" be shaded. This is because derivatives are not computed by finite differences with neighboring points, but rather by "automatic differentiation", computing partial differentials for the variables that lead to derivatives, without any intervention required by the shader writer.
OSL optimizes aggressively at render time
OSL uses the LLVM compiler framework to translate shader networks into machine code on the fly (just in time, or "JIT"), and in the process heavily optimizes shaders and networks with full knowledge of the shader parameters and other runtime values that could not have been known when the shaders were compiled from source code. As a result, we are seeing our OSL shading networks execute 25% faster than the equivalent shaders hand-crafted in C! (That's how our old shaders worked in our renderer.)
What OSL consists of
The OSL open source distribution consists of the following components:
oslc, a standalone compiler that translates OSL source code into an assembly-like intermediate code (in the form of .oso files).
liboslc, a library that implements the OSLCompiler class, which contains the guts of the shader compiler, in case anybody needs to embed it into other applications and does not desire for the compiler to be a separate executable.
liboslquery, a library that implements the OSLQuery class, which allows applications to query information about compiled shaders, including a full list of its parameters, their types, and any metadata associated with them.
oslinfo, a command-line program that uses liboslquery to print to the console all the relevant information about a shader and its parameters.
liboslexec, a library that implements the ShadingSystem class, which allows compiled shaders to be executed within an application. Currently, it uses LLVM to JIT compile the shader bytecode to x86 instructions.
testshade, a program that lets you execute a shader (or connected shader network) on a rectangular array of points, and save any of its outputs as images. This allows for verification of shaders (and the shading system) without needing to be integrated into a fully functional renderer, and is the basis for most of our testsuite verification. Along with testrender, testshade is a good example of how to call the OSL libraries.
testrender, a tiny ray-tracing renderer that uses OSL for shading. Features are very minimal (only spheres are permitted at this time) and there has been no attention to performance, but it demonstrates how the OSL libraries may be integrated into a working renderer, what interfaces the renderer needs to supply, and how the BSDFs/radiance closures should be evaluated and integrated (including with multiple importance sampling).
A few sample shaders.
Documentation -- at this point consisting of the OSL language specification (useful for shader writers), but in the future will have detailed documentation about how to integrate the OSL libraries into renderers.
Where OSL has been used
This list only contains films or products whose OSL use is stated or can be inferred from public sources, or that we've been told is ok to list here. If an OSL-using project is missing and it's not a secret, just email the OSL project leader or submit a PR with edits to this file.
Renderers and other tools with OSL support (in approximate order of adding OSL support):
- Sony Pictures Imageworks: in-house "Arnold" renderer
- Chaos Group: V-Ray
- Pixar: PhotoRealistic RenderMan RIS
- Isotropix: Clarisse
- Autodesk Beast
- Animal Logic: Glimpse renderer
- Image Engine: Gaffer (for expressions and deformers)
- DNA Research: 3Delight
- Ubisoft motion picture group's proprietary renderer
- Autodesk/SolidAngle: Arnold
- Autodesk: 3DS Max 2019
Films using OSL (grouped by year of release date):
- (2012) Men in Black 3, The Amazing Spider-Man, Hotel Transylvania
- (2013) Oz the Great and Powerful, Smurfs 2, Cloudy With a Chance of Meatballs 2
- (2014) The Amazing Spider-Man 2, Blended, Edge of Tomorrow, 22 Jump Street, Guardians of the Galaxy, Fury, The Hunger Games: Mockingjay - Part 1, Exodus: Gods and Kings, The Interview
- (2015) American Sniper, Insurgent, Avengers Age of Ultron, Ant Man, Pixels, Mission Impossible: Rogue Nation, Hotel Transylvania 2, Bridge of Spies, James Bond: Spectre, The Hunger Games: Mockingjay - Part 2, Concussion
- (2016) Allegiant, Batman vs Superman: Dawn of Justice, The Huntsman, Angry Birds Movie, Alice Through the Looking Glass, Captain America: Civil War, Finding Dory, Piper, Independence Day: Resurgence, Ghostbusters, Star Trek Beyond, Suicide Squad, Kingsglaive: Final Fantasy XV, Storks, Miss Peregrine's Home for Peculiar Children, Fantastic Beasts and Where to Find Them, Assassin's Creed
- (2017) Lego Batman, The Great Wall, A Cure for Wellness, Logan, Power Rangers, Life, Smurfs: The Lost Village, The Fate of the Furious, Alien Covenant, Guardians of the Galaxy 2, The Mummy, Wonder Woman, Cars 3, Baby Driver, Spider-Man: Homecoming, Dunkirk, The Emoji Movie, Detroit, Kingsman: The Golden Circle, Lego Ninjago Movie, Blade Runner 2049, Geostorm, Coco, Justice League, Thor: Ragnarok
- (2018) Peter Rabbit, Black Panther, Annnihilation, Red Sparrow, Pacific Rim Uprising, Avengers Infinity War, Deadpool 2, Incredibles 2, Jurassic World: Fallen Kingdom, Hotel Transylvania 3: Summer Vacation, Ant Man and the Wasp, Skyscraper, Mission Impossible: Fallout, The Meg, Kin, Smallfoot, Alpha, Venom, First Man, Bad Times at the El Royale, Fantastic Beasts: The Crimes of Grindelwald, Bohemian Rhapsody, Holmes and Watson, Spider-Man: Into the Spider-Verse
- (2019) The Kid Who Would Be King, Alita: Battle Angel, Lego Movie 2, Lucky 13 (Love, Death, and Robots), Captain Marvel, Triple Frontier, Avengers: Endgame, Pokémon Detective Pikachu, Godzilla: King of Monsters, Rim of the World, John Wick 3 Parabellum, Men in Black International, Toy Story 4, Spider-Man: Far From Home, Hobbs & Shaw, Angry Birds 2, The Art of Racing in the Rain, Secret Life of Pets, The Mandalorian (S1), The Dark Crystal: Age of Resistance, The King, Jumanji: The Next Level, Richard Jewell, Game of Thrones (S8), Lost in Space (S1), Togo
- (2020) Underwater, Birds of Prey, Onward, Bloodshot, Greyhound, The Old Guard, Mulan, Tenet, The New Mutants, Artemis Fowl, The Eight Hundred, Over the Moon, Wonder Woman 1984, Soul, The Mandalorian (S2)
- (2021 / upcoming) Chaos Walking, Peter Rabbit 2: The Runaway, The Falcon and the Winder Soldier, Secret Magic Control Agency, The Mitchells vs the Machines, ...
Building and Installation
Please read the INSTALL.md file for detailed instructions on how to build and install OSL.
The OSL language specification can be found at src/doc/osl-languagespec.pdf (in a source distribution) or in the share/doc/OSL/osl-languagespec.pdf file of an installed binary distribution.
Contact & reporting problems
Simple "how do I...", "I'm having trouble", or "is this a bug" questions are best asked on the osl-dev developer mail list. That's where the most people will see it and potentially be able to answer your question quickly (more so than a GH "issue").
Bugs, build problems, and discovered vulnerabilities that you are relatively certain is a legit problem in the code, and for which you can give clear instructions for how to reproduce, should be reported as issues.
If confidentiality precludes a public question or issue, you may contact the project administrator privately at email@example.com, including for security-related issues.
OSL welcomes code contributions, and nearly 50 people have done so over the years. We take code contributions via the usual GitHub pull request (PR) mechanism. Please see CONTRIBUTING for detailed instructions.
Contacts, Links, and References
The current project leadership is documented in the Governance file.
Many people have contributed features, bug fixes, and other changes to OSL over the years: Steve Agland, Shane Ambler, Martijn Berger, Farchad Bidgolirad, Nicholas Bishop, Solomon Boulos, Stefan Bruens, Stefan Büttner, Matthaus G. Chajdas, Alejandro Conty, Thomas Dinges, Luke Emrose, Louis Feng, Mark Final, Henri Fousse, Syoyo Fujita, Tim Grant, Larry Gritz, Derek Haase, Sven-Hendrik Haase, John Haddon, Daniel Heckenberg, Thiago Ize, Matt Johnson, Ronan Keryell, Chris Kulla, Elvic Liang, Max Liani, Adam Martinez, John Mertic, Bastien Montagne, Steena Monteiro, Alexis Oblet, Erich Ocean, Mikko Ohtamaa, Jino Park, Alexei Pawlow, Jay Reynolds, Declan Russell, Patrick Scheibe, Alex Schworer, Jonathan Scruggs, Sergey Sharybin, Cliff Stein, Stephan Steinbach, Esteban Tovagliari, Brecht Van Lommel, Alexander von Knorring, Alex Wells, Roman Zulak. (Listed alphabetically; if we've left anybody out, it is inadvertent, please let us know.)
We cannot possibly express sufficient gratitude to the managers at Sony Pictures Imageworks who allowed this project to proceed, supported it wholeheartedly, and permitted us to release the source, especially Rob Bredow, Brian Keeney, Barbara Ford, Rene Limberger, Erik Strauss, and Mike Ford.
Huge thanks also go to the crack shading team at SPI, and the brave lookdev TDs and CG supes willing to use OSL on their shows. They served as our guinea pigs, inspiration, testers, and a fantastic source of feedback. And of course, the many engineers, TDs, and artists elsewhere who incorporated OSL into their products and pipelines, especially the early risk-takers at Chaos Group, Double Negative, Pixar, DNA, Isotropix, and Animal Logic. Thank you, and we hope we've been responsive to your needs.
OSL was not developed in isolation. We owe a debt to the individuals and studios who patiently read early drafts of the language specification and gave us very helpful feedback and additional ideas, as well as to the continuing contributions and feedback of its current developers and users at other VFX and animation studios.
The OSL implementation depends upon several other open source packages, all with compatible licenses: