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Build your own gradients. The + in the Gradients list now opens a gradient editor instead of a file picker. Pick linear or radial, set the angle, and add as many colour stops as you like — drag them along the ramp, or type exact positions and hex values. Saved gradients sit alongside the built-in ones.
Grain for your gradients. A Noise slider lays a fine film grain over the gradient, which also smooths the faint banding wide gradients can show.
Emoji stickers. A new Sticker tool stamps emoji onto a screenshot. Pick one from the Tools list, click anywhere to place it, then drag to move or drag a corner to resize. Stickers behave like any other annotation and export with the image.
Drag pages between windows. Drag a thumbnail out of one editor window and drop it into another to copy the page; hold ⌥ while dropping to move it instead. ⌘-click and ⇧-click to take several at once. Crop, rotation, adjustments and annotations come along.
Custom Backgrounds. Your own background images now have a category of their own, next to Gradients and Solid Colors, with its own + for adding more. Everything you had already added is still there.
Save a PDF page as an image. Save As on a PDF now offers PNG, JPEG, HEIC and the rest. PDF writes the whole document; an image format writes the current page at the resolution of the bitmap inside it, so a 300 DPI scan exports at 300 DPI rather than 72.
Fixed
Annotated PDFs lost their table of contents. Links and document details came through fine, so it was easy to miss. The cause was a PDFKit change in macOS 27, not SimplShot; contents entries now survive.
The Templates menu claimed a template was applied even with no background on the image. It now reads None, and choosing None removes the background and watermark while keeping padding and corners.
Text ran outside its bubble while editing if you had set the bubble's width by hand. The editor now wraps exactly as the finished bubble does.
The Noise slider in Edit mode washed pictures out instead of graining them. Grain is now blended in properly, leaving tones and colours alone and falling strongest through the midtones.