v1.4.2

[1.4.2] — 2026-10-17

Added

• Drop a screenplay on the Script panel to import it (PDF, Final Draft,
  Fountain, Word, Celtx or plain text). Dropping a PDF used to make the
  browser open the file in place of the app.

Fixed

• PDF import of production drafts:
  • A reader's name stamped on every page (and any diagonal watermark) no
    longer lands in the script as stray lines or glued into sentences.
  • Front matter spread over several pages (a cover sheet, the title page, a
    legal notice, an epigraph) is read as such: the title page fills the
    cover, the rest becomes script notes.
  • Title pages with two contact blocks side by side and a legal paragraph
    read correctly; long paragraphs go to the cover's notes, not the author.
  • Pages a damaged PDF does not let us read in full are named after the
    import, so they can be checked against the PDF instead of losing text
    silently. PDF text is read on the page itself, which is what makes this
    warning possible.

v1.4.1

[1.4.1] — 2026-10-17

Changed

• Dark mode is the default (a saved choice of light is kept), applied
  before the app paints so there is no white flash on load.
• Neutral greys and a new accent: the interface greys are true neutral
  grey instead of blue-tinted slate, and the accent is a dusty violet instead
  of sky blue. Both are set in one place (src/index.css); white text on the
  accent meets WCAG AA in both themes. The floor plan's selection outline
  stays blue so it shows against any drawing.
• Touchpad zoom: a pinch zooms in proportion to the gesture instead of a
  fixed step per event (touchpads send dozens per pinch, which made zoom jump),
  two-finger scrolling pans the floor plan instead of zooming, and a mouse
  wheel zooms about one step per notch. Safari's trackpad pinch is handled
  the same way.

Fixed

• Storyboard frames set to show the whole picture were cropped in the shot
  list (cards, table, drag chip), the print view and the A/V script: they
  read a retired shot-level setting instead of the frame's own. The large
  view now always shows the whole frame.

v1.4.0

[1.4.0] — 2026-10-15

Added

• Industry screenplay pages (rules ported from ScriptCraft): US Letter
  (54 lines) or A4 (58); a speech that breaks across pages gets (MORE) and
  the cue again as NAME (CONT'D), split at a sentence end and never after a
  parenthetical; scene headings and cues are never stranded at the foot of a
  page; action splits only with two lines each side; automatic (CONT'D) when a
  character speaks again in the same scene (toggle in the lined script bar).
  Eighths, the page markers, locked pages / A-pages and the screenplay PDF all
  use these same pages, so the page a call sheet names is the page printed.
• Dual dialogue: Ctrl/⌘+D or ⇉ Dual on a cue sets the speech beside
  the one above; it prints side by side and splits both columns on a page
  break. Fountain ^ and Final Draft <DualDialogue> round-trip — Final
  Draft dual dialogue used to import as one action line holding both speeches.
• Scene summaries and card colours: Final Draft index cards (summary and
  colour) and Fountain = synopsis lines import with the script, can be
  written in Reports → Scene list, export back out, and feed the one-liner,
  the stripboard and the breakdown sheets. A Final Draft summary no longer
  ends up glued to the slugline.
• Word-level draft comparison: the "Review revised screenplay" dialog
  shows, scene by scene, which lines were reworded (word by word), added, cut
  or moved. A reworded line keeps its linings and breakdown tags on re-import
  and gets the revision asterisk.
• Import PDF, Word, Celtx and HTML screenplays: a PDF is read by its
  columns (cover, scene numbers, wrapped lines, and speeches split by
  (MORE)/(CONT'D) put back together; page numbers, headers and revision
  asterisks dropped); Word documents by their element styles, or by indent
  when typed by hand; Celtx projects and HTML by their element classes. A
  scanned PDF (pictures of pages) says so instead of importing nothing.
  pdf.js loads only when a PDF is imported.
• Location picker on scene headings: ▾ beside the set lists the project's
  locations and the sets the script already uses. A new set typed into a
  heading becomes a project location when you move on, so it is in the
  Locations tab ready for an address.
• Final Draft fidelity: a Final Draft title page now imports; revision
  sets come in as this app's revision colours (the writer's starred lines
  stay starred, in their colour) and go back out; the paper and automatic
  (CONT'D) setting travel both ways.
• Multi-camera format (Lined script bar → Format): dialogue double-spaced,
  action in capitals, every scene on a new page, so a sitcom's pages and
  eighths are counted the way it prints. Travels with Final Draft files.
• Scene CONTINUED marks (toggle in the Lined script bar): (CONTINUED) at
  the foot of a page and CONTINUED: at the top of the next where a scene runs
  over, as production drafts print. Travels with Final Draft files.
• Page breaks in the screenplay editor: a dashed rule with the page number
  where each printed page starts (locked labels included).
• Element list: Enter on an empty line opens Final Draft's list of
  elements — ↑ ↓ or 1–7, then Enter; Esc closes it.
• Final Draft script notes import as script notes under the line they
  were attached to, and export back as Final Draft notes.
• Dual dialogue from PDFs: two speeches side by side import as dual
  dialogue.
• Character report: speeches, words, pages of their scenes and the page
  they first speak on, on screen and in the PDF. The scene report PDF gains
  the printed page each scene starts on. Both use locked page labels (12A).

Changed

• Final Draft's element flow in the screenplay editor: Enter after action
  is action and after a cue is dialogue; Tab at the end of a line starts the
  next element (action → character, dialogue → parenthetical), Tab / Shift+Tab
  on an empty line change its kind; Enter mid-line splits it; int. on an
  action line makes a heading; taking a character suggestion with Enter moves
  on to the dialogue.
• The screenplay PDF prints page numbers from page 2 and no longer prints
  script notes; without a cover, its title block is a slim line in the top
  margin so page one holds a full page of script.
• Fountain === imports as a page break.
• A shot that is not a standard shot call ("BIG HEAD OF MARA") is written to
  Fountain as !… [[shot]] and reads back as a shot instead of a cue.
• A continued dual-dialogue cue ("BARTHOLOMEW (CONT'D)") stays inside its
  column.
• Cast sides are laid out by the screenplay rules, on their compact page:
  (MORE) / (CONT'D) where a speech breaks, dual dialogue side by side,
  automatic (CONT'D), and no stranded headings or cues.

Fixed

• Final Draft outline paragraphs (acts, sequences) imported as action lines;
  they are kept as script notes now.
• A cue with a lower-case extension ("EDWARD (cont'd)") imported as action,
  taking its speech with it; found on a real production PDF (100 cues in
  Big Fish).
• Reports → DOOD opened the Schedule on its board when the browser could not
  save preferences (storage full or blocked); it now always opens the day out
  of days.

Migration

• Project schema v36 (stamp only): optional screenplayLayout (paper,
  automatic (CONT'D), format, scene CONTINUED), and
  dual / synopsis / sceneColor on script lines.
• Pages are now 54 lines (Letter), not the old 55-line estimate: eighths shift
  slightly, and a script whose pages were locked before may show an A-page
  where a locked page no longer fits — unlock and lock again to re-freeze.

v1.3.0

[1.3.0] — 2026-10-13

Added

• Screenplay editor pickers: scene headings have a dropdown for INT. /
  EXT. / INT./EXT. / EXT./INT. / I/E. / EST. and one for the time of day
  (DAY, NIGHT, DAWN, DUSK, CONTINUOUS, LATER… plus any time the script
  already uses); the set is typed between them. Typing or pasting a whole
  heading still works and fills the pickers.
• Character cues get a ( ) picker that adds or removes V.O., O.S., O.C.,
  CONT'D, PRE-LAP, FILTERED…; transition, shot and parenthetical lines suggest
  the standard ones (CUT TO:, SMASH CUT TO:, ANGLE ON, INSERT, (beat),
  (whispering)…) as you type.
• Keyboard-only screenplay writing: ↑ / ↓ move between lines; every
  suggestion list (locations, characters, times, cue extensions, transitions,
  shots, parentheticals) is driven with ↑ / ↓ and taken with Enter or Tab;
  Alt+↑/↓ changes INT./EXT. and Alt+Shift+↑/↓ the time of day; ← / → at the
  ends of the set field reach the pickers. All listed in the shortcut sheet (?).
• New scenes get a floor-plan setup: a scene heading written in the
  screenplay editor creates a setup named after it, with one example camera
  (Camera A, Shot 1) and no actor, without switching away from the setup you
  have open. Imported or pasted drafts don't, and a scene number that already
  has a setup is left alone. Reports → "Create setup" builds the same.

Changed

• The screenplay suggestions are the editor's own lists instead of the
  browser's autocomplete, so they look the same everywhere and work from the
  keyboard.

v1.2.0

[1.2.0] — 2026-10-11

Added

• Daily production report in Schedule (Day report): progress from the
  continuity log, running totals to date, cast times from the Exhibit G sheet,
  delays / accidents / remarks; own Print and PDF. The export-studio DPR gains
  the same sections.
• Exhibit G form PDF in the union form's layout (US Letter).
• Shooting schedule PDF in the classic block-per-scene layout, with cast
  names.
• Cast sides: one highlighted sides PDF per performer for a shooting day,
  zipped, from the call sheet; sides filtered to a character highlight that
  character's lines.
• Cloud save-back: open projects from Google Drive (new) or Nextcloud,
  save them back to the same file, and get asked — save a copy or replace —
  when someone else saved in between (ETag / modifiedTime checks).
• Pasting a new draft over a script now goes through the same compare → mark
  changes → keep history flow as importing a file.
• Merging cloud saves: when someone saved the same Drive or Nextcloud file
  since you opened it, your save merges with theirs — changes on either side
  are kept, and only a value both of you changed differently is put to you
  (mine / theirs per item). The merge is one undo step.
• Final Draft breakdown tags import with the screenplay: Tagger elements
  (props, wardrobe, vehicles, stunts…) become breakdown elements on the lines
  they were tagged on.
• Schedule import from CSV: one-liner or stripboard exports from other
  scheduling tools or spreadsheets — day columns or "Day 3 / End of Day 2"
  rows, scene numbers matched to the screenplay, meals and moves as banners.

Changed

• Decluttered UI: quiet top bar (ghost buttons, neutral icons), panel tabs and
  view switchers that never break labels or truncate the active tab, quieter
  shot-list, equipment and script toolbars, calmer inspector sections.
• Fixed overlapping text in the schedule's day headers and the shot-list
  toolbar.
• Entry bundle 471 → 362 KiB: dashboard, quick search, on-set mode and the DMX
  view load on demand.
• Equipment, script and context code split into focused files (item and
  package dialogs, gear options, A/V script view, element clipboard).
• Every project write in a component is now a named command (ratchet at 0);
  ~175 more light/dark class pairs moved to tokens or dark: variants;
  equipment list edits moved out of the main context.
• Dependency updates (from Dependabot #15).

Migration

• Project schema v35 (stamp only): optional productionReportNotes.

v1.1.0

[1.1.0] — 2026-10-10

Production paperwork release: the reports an AD and a script supervisor hand
out every day, built from the data the app already has.

Added

• Page counts in eighths — every scene measured on a standard 55-line
  Courier page, shown in the scene list, strips, one-liner and call sheets;
  overridable per scene.
• Breakdown sheets & prop report — one sheet per scene (cast, stunts,
  extras, props, wardrobe, vehicles, effects…) and a prop report built from the
  tagged screenplay.
• Script colour highlighter — highlight by character (with name mentions),
  location or breakdown category; colours per character are editable.
• Locked pages & revisions — lock page breaks (A-pages, omitted pages) and
  mark revised lines with the standard revision colour sequence; both carry
  into the lined-script PDF.
• Final Draft export (.fdx), alongside the existing import.
• One-liner & shooting schedule in the schedule, with page totals at each
  day break and optional breakdown elements.
• Day out of days — cast, stunts, background and any breakdown category,
  derived from the strips; manual travel / fitting / rehearsal / holiday cells;
  drop-and-pickup rule (WD/PW). Lives in Schedule.
• What-if while dragging strips — page, day-length and paid-day impact
  before you drop.
• Performers production time report (SAG-AFTRA Exhibit G) — filled from
  the schedule; warns about meal penalties, short meals, forced calls,
  overtime (day or weekly contract) and minors' hours, with per-sheet rule
  limits. On-set cast clock stamps times with one tap.
• Location scouting — notes, ratings, status and photos (EXIF date/GPS)
  per location, including set candidates.
• Budget top sheet with account numbers.
• Call sheet email draft with the PDF downloaded alongside.
• Bigger storyboards in the shot list (S/M/L/XL), also reflected in the
  shot-list print and PDF.
• Print or export any single report — every report has its own Print and
  PDF button, and print uses the same document as the PDF.
• Getting started checklist, keyboard shortcut sheet (?), empty states
  and panel headers across modules; new production icons in the toolbar.
• Example data for every new module when "fill empty modules with examples"
  is chosen, including a sample Exhibit G sheet.

Changed

• Stripboard print/PDF fills each strip edge to edge in the board's
  INT/EXT × DAY/NIGHT colours.
• Phone layout: top bar, panel tabs and view switchers compact to icons; the
  production module menu opens as a bottom sheet.
• Contrast raised to WCAG AA across the theme (accent, muted text, status
  colours); unlabelled form controls named. Checked by axe in every module, in
  light and dark.
• Schedule derivations (DOOD, one-liner, what-if) index their lookups — about
  10× faster on a 40-day schedule.
• Typing in a field merges into one undo step.
• More writes go through named commands (production details, takes,
  logistics, day filters), so undo entries say what changed.
• The language switch is hidden for now; the app is English-only.

Removed

• The backup-reminder pop-up.

Migration

• Project schema v34 (stamp only). New optional fields: page-length overrides,
  revision marks and page locks, DOOD overrides and drop rule, performer time
  reports (with contract and per-sheet limits), location scouts. Older
  projects open unchanged.

v1.0.2

[1.0.2] — 2026-09-29

Added

• Nextcloud/WebDAV backup & restore — manual .osd up- and download to
  your own server from the project dashboard's cloud dialog (Basic auth with
  an app password, remembered only on request). Listed server backups import
  back through the file-import path.
• Stale-backup reminder — the dashboard names the last backup
  ("last backup 12 days ago") once it is over 7 days old. Every
  project-level artifact (file, package, cloud upload) stamps the clock.
• Persistent browser storage — the app asks for the persistent storage
  bucket at startup so browsers do not quietly evict productions.

v1.0.1

[1.0.1] — 2026-09-29

Added

• True Hollywood screenplay PDF — US Letter, 12pt Courier on the classic
  60-column grid (action full-width, character cues 2.2", parentheticals
  1.6", dialogue 1.0" × 3.5", transitions flush right), single-spaced with
  blank lines between blocks.
• Title-page cover in the PDF — prints first on its own page when enabled
  (mirroring the print view) and replaces the paperwork title block; without
  it the block stays as the production's name on the page. The cover Date
  field suggests today's date.
• Screenplay export options — Bold characters and Scene numbers
  checkboxes in the export studio, driving print preview and PDF alike
  (both off/on by Hollywood default respectively).
• Cloud export (manual backup) — save any production as an .osd
  package to your own Google Drive from the project dashboard (Google button
  next to Storage, one-click sign-in, same-name refresh in place). One-way
  backup, not sync; Drive file scope only.
• Visible version + support — tiny v1.0.1 stamp under the product name,
  full-size sponsor buttons in the toolbar, version/support footer on the
  dashboard, GitHub Sponsor button via FUNDING.yml.
• Release automation — pushing a v* tag publishes a GitHub Release with
  the changelog section and the built app attached.

Changed

• Fountain and PDF export buttons sit side by side in the Script tab.
• Dependency updates via Dependabot (#8: GitHub Actions v7/v5; #11: React
  19.3, Vite 8.3, Vitest 5, TypeScript 5.9 and more; #12: patch round).
• Byte-array downloads funnel through a bytesToBlob helper, keeping the
  build forward-compatible with newer @types/node (no behaviour change).

v1.0.0

[1.0.0] — 2026-09-26

First public open-source release. A free, local-first production planning
suite: lined script, floor plan, shot list, storyboard and equipment manifest,
plus scheduling, call sheets, crew and cast, budget, locations, tasks, mood
boards, logistics, rigging, power and an on-set continuity log — in one
browser tab, with no account and no backend.

Added

• Script suite — screenplay editor (WYSIWYG + Fountain), lined coverage
  with drag-adjustable linings, AV two-column script, scene-number locking
  (3A inserts, omitted-scene handling), title page with draft stamp, and
  location links from scene headings.
• Floor plan & blocking — scaled canvas with actors, cameras (FOV cones,
  focal length, sensor), lights with beams and modifier stacks, props,
  walls/doors/windows, streets, shapes, reference images, waypoints with
  rotation, group animation, and storyboard thumbnails on the plan.
• Shot list — cards + production table, insert-between-shots numbering
  that never renumbers the plan, camera re-lettering that keeps blocking,
  all-scenes view.
• Storyboard & viewfinder — one frame per shot and per camera keyframe,
  drag-to-reorder board order, simulated optical finder with guides, live
  device-camera capture stored as storyboard art, per-camera exposure settings.
• Equipment manifest — derived from the plan (camera packages, fixtures
  with Kelvin/beam, track, props, cables), current-scene + all-scenes truck
  package, spreadsheet/cards views, presets and brand/model catalog.
• Scheduling & call sheets — stripboard (scenes, setups, shots), production
  calendar, coverage matrix, per-day call sheets with readiness warnings,
  per-person calls and pick-ups, per-location maps, draft watermark.
• Continuity log — take log + shooting-day checklist as one page, sticky
  columns, plan-vs-actual separation, pickup numbering, file-name
  reconciliation, DaVinci Resolve metadata CSV export (byte-identical
  headers, verified by test).
• Crew, cast & contacts — departments, key-role assignment, cast ↔
  character links, headshots with reversible framing, rates, CSV in/out,
  printable contact list.
• Budget & day needs — derived from crew + plan + schedule, per-day /
  per-week / flat rates, per-rate VAT with EU presets, above/below-the-line,
  unpriced-is-flagged (never silent zero), print + CSV.
• Locations, tasks, mood boards, logistics — keyless OpenStreetMap
  picker with reverse geocoding, kanban, collage boards with palette
  extraction, cases/containers with unknown-propagating utilisation.
• Technical planning — fixture database (curated + Open Fixture Library
  snapshot + custom profiles, no wattage guessed from model names), DMX patch
  with overlap detection, truss/rigging loads, power with per-truss and
  per-phase balance, cable runs measured along drawn routes. Planning aids
  only — not engineering certification.
• Reports & export — breakdown, sides, stripboard/calendar/coverage
  prints, DMX patch sheet, continuity report, contact list, blueprint PNG,
  JSON backup, .osd portable packages, and a one-click complete package.
• Platform — IndexedDB-first local storage with localStorage fallback,
  offline-capable static build (GitHub Pages), dark/light themes, undo/redo,
  touch + keyboard support, workspace presets, PDF exports.

Fixed

• Storage is per-project so one heavy production can't evict the others;
  imports land beside open work instead of overwriting it.

Notes

• Missing technical data is shown as unknown, never silently counted as 0.
• Quantities are stored in explicit canonical SI units; display units convert
  at the boundary only.
• License: GPL-3.0 — see LICENSE.
• Support the project: GitHub Sponsors
  · Buy Me a Coffee.