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Screenplay editor pickers: scene headings have a dropdown for INT. /
EXT. / INT./EXT. / EXT./INT. / I/E. / EST. and one for the time of day
(DAY, NIGHT, DAWN, DUSK, CONTINUOUS, LATER… plus any time the script
already uses); the set is typed between them. Typing or pasting a whole
heading still works and fills the pickers.
Character cues get a ( ) picker that adds or removes V.O., O.S., O.C.,
CONT'D, PRE-LAP, FILTERED…; transition, shot and parenthetical lines suggest
the standard ones (CUT TO:, SMASH CUT TO:, ANGLE ON, INSERT, (beat),
(whispering)…) as you type.
Keyboard-only screenplay writing: ↑ / ↓ move between lines; every
suggestion list (locations, characters, times, cue extensions, transitions,
shots, parentheticals) is driven with ↑ / ↓ and taken with Enter or Tab;
Alt+↑/↓ changes INT./EXT. and Alt+Shift+↑/↓ the time of day; ← / → at the
ends of the set field reach the pickers. All listed in the shortcut sheet (?).
New scenes get a floor-plan setup: a scene heading written in the
screenplay editor creates a setup named after it, with one example camera
(Camera A, Shot 1) and no actor, without switching away from the setup you
have open. Imported or pasted drafts don't, and a scene number that already
has a setup is left alone. Reports → "Create setup" builds the same.
Changed
The screenplay suggestions are the editor's own lists instead of the
browser's autocomplete, so they look the same everywhere and work from the
keyboard.