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CW Operation

jj edited this page Sep 16, 2026 · 2 revisions

CW Operation

CW (Morse code) is a highly effective mode for QRP — its narrow bandwidth and simplicity mean 5 watts goes a long way. The zBitx supports straight keys, paddles with several keyer types, and macro sending.


Getting on CW

  1. Set the MODE to CW (or CWR — the reverse‑sideband variant; use whichever gives you correctly‑pitched signals on your band).
  2. Tune to the CW portion of the band (the lower end of each band is CW territory).
  3. Set a fine STEP (100 Hz or 10 Hz) so you can zero‑beat signals precisely.

Choosing your keyer type (CW_INPUT)

Open Menu → CW_INPUT and tap to cycle through the keyer types. Pick the one that matches your key:

Setting Use it if you…
STRAIGHT Use a straight (hand) key
IAMBIC Use paddles and prefer iambic mode A
IAMBICB Use paddles and prefer iambic mode B
ULTIMAT Prefer an ultimatic keyer's behavior
BUG Want semi‑automatic "bug" emulation (auto dits, manual dahs)

Not sure? Straight‑key operators pick STRAIGHT. Paddle operators who don't have a strong preference usually start with IAMBICA.

Iambic A vs B is about what happens when you release both paddles mid‑character. If your keyer "adds an extra element," try switching between A and B.


Sidetone — the sound you send by

The SIDETONE setting (Menu → SIDETONE) controls the tone you hear as you send. It doesn't go on the air — it's your local monitor.

  • Set the pitch to something comfortable for your ears; ~600–700 Hz is a common choice.
  • Set the level so it's audible but not startling.

Matching your sidetone pitch to your receive pitch offset makes zero‑beating signals more intuitive.


Break‑in delay (CW_DELAY)

CW_DELAY (Menu → CW_DELAY) sets how long the radio stays in transmit after your last element before returning to receive:

  • Longer delay — the radio stays keyed between letters and words, so you don't hear the band mid‑word. Good for rag‑chews at a steady pace.
  • Shorter delay — the radio drops to receive quickly between characters (approaching full break‑in / QSK), letting you hear the other station almost immediately.

Tune this to your sending speed and preference.


Sending with macros

The MACRO menu lets you send preset messages — a CQ call, a signal report, your standard exchange — without keying every character by hand. This is a big help in contests and for repetitive calling. Character and word spacing in macros is handled correctly so your sent code sounds clean.


Zero‑beating a station

To answer a CW station, you want to transmit on their frequency (zero‑beat). To do this:

  1. Tune until the received tone matches your sidetone pitch — that's when you're on their frequency.
  2. Use a fine STEP (10 Hz) for precise adjustment.
  3. The spectrum/waterfall helps too — line your marker up with theirs.

RIT can help if you want to fine‑tune your receive without moving your transmit frequency (see Front Panel Operation).


Receive filtering for CW

CW benefits from a narrow receive bandwidth — it cuts out adjacent signals and noise, leaving just the tone you want.

  • Narrow the BW filter on the main screen to 500 Hz or smaller.
  • Set AGC to FAST for CW — it responds quickly to the on/off nature of Morse.
  • Use the NOTCH (in OPTIONS) if a steady carrier is interfering.

Power and QRP CW

CW is where QRP shines. At 5 watts:

  • A good antenna matters more than power — put your effort there.
  • Slower, cleaner sending gets answered more than fast, sloppy sending.
  • Patience and good operating technique routinely make DX contacts at 5 watts on CW.

Keep your SWR low, as always, and enjoy how far a few watts of CW will take you.


Related: Front Panel — Options & Controls » · FT8 Operation »

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